{"id":4408,"date":"2024-01-16T20:09:33","date_gmt":"2024-01-16T20:09:33","guid":{"rendered":"https:\/\/oldsite.coloredconventions.org\/harper\/?page_id=4408"},"modified":"2025-04-09T23:15:47","modified_gmt":"2025-04-09T23:15:47","slug":"novels","status":"publish","type":"page","link":"https:\/\/oldsite.coloredconventions.org\/harper\/writings\/novels\/","title":{"rendered":"Literary Works"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Title&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>\u200bHARPER AT 200<\/h3>\n<h1>Literary Works<\/h1>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"font-claude-message pr-4 md:pr-9 relative leading-[1.65rem] [&amp;_pre&gt;div]:bg-bg-300 [&amp;_pre]:-mr-4 md:[&amp;_pre]:-mr-9\">\n<div class=\"grid-col-1 grid gap-2.5 [&amp;_&gt;_*]:min-w-0\">\n<p class=\"whitespace-pre-wrap break-words\">Frances Ellen Watkins Harper&#8217;s corpus encompasses a diverse range of literary forms, reflecting her multifaceted career as a writer, poet, and activist in nineteenth-century America. Her body of work includes several volumes of poetry, starting with <em>Forest Leaves<\/em> (circa 1849), as well as her groundbreaking novel <em>Iola Leroy. <\/em>Throughout her works, Harper consistently addressed themes of racial and gender equality, social justice, and the Black experience, making her corpus a significant and critical contribution to both literature and social reform movements of her time. Black newspapers often published her numerous essays and speeches on abolition and women&#8217;s rights, anti-slavery appeals, and public correspondences, leaving behind an archival trove that lends us insights into her life, literary inspirations, and relentless activism.<\/p>\n<p><strong>A note on pioneering Frances Ellen Watkins Harper scholars:\u00a0<\/strong><\/p>\n<p class=\"whitespace-pre-wrap break-words\">Frances Smith Foster was the first scholar and author to publish a comprehensive reader on Harper in 1990; Foster&#8217;s\u00a0<em>A Brighter Coming Day: A Frances Ellen Watkins Harper Reader<\/em> was as, the author noted, a project that was more &#8220;complicated than expected.&#8221;[1] Literary scholars have long ignored or tersely referenced Harper in spite of the national attention and well-respected stature she achieved in her time; Foster&#8217;s Harper reader thus reintroduced Harper&#8217;s legacy and contributions to American literature. More Black women scholars have done the work of redressing the cultural amnesia that erased nineteenth-century Black writers from public and scholarly attention; Melba Joyce Boyd&#8217;s <em>Discarded Legacy: Politics and Poetics in the Life of Frances E. W. Harper, 1825-1911 <\/em>(1994), for one, was a crucial contribution that, like Foster, put the disregarded writer\/activist back on the map, centering how Harper&#8217;s intellectual thought, radical vision, and literary genius shaped American culture.[2]<\/p>\n<p class=\"whitespace-pre-wrap break-words\">As more and more of Harper&#8217;s work are uncovered through digitization of historical documents, this exhibit will direct readers to online access to these works. <strong>Below is a list of Frances Ellen Watkins&#8217; select accessible works.\u00a0<br \/><\/strong><\/p>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Novels&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Novels<\/strong><\/h3>\n<p><a href=\"https:\/\/gutenberg.org\/cache\/epub\/11053\/pg11053-images.html\"><em>Minnie\u2019s Sacrifice<\/em> (1869)<\/a><\/p>\n<p><a href=\"https:\/\/www.gutenberg.org\/cache\/epub\/11022\/pg11022-images.html\"><em>Sowing and Reaping<\/em>:\u00a0<em>A Temperance Story<\/em> (1876\u20131877)<\/a><\/p>\n<p><a href=\"https:\/\/www.gutenberg.org\/cache\/epub\/11056\/pg11056-images.html\"><em>Trial and Triumph<\/em> (1888\u20131889)<\/a><\/p>\n<p><a href=\"https:\/\/archive.org\/details\/iolaleroyorshadoharp\/page\/n5\/mode\/2up\"><em>Iola Leroy, or Shadows Uplifted\u00a0<\/em>(1892)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Poetry Books<\/h3>\n<p><em><a href=\"https:\/\/www.mdhistory.org\/resources\/forest-leaves\/\">Forest Leaves<\/a>\u00a0<\/em>(circa 184)<a href=\"https:\/\/archive.org\/details\/mdu-md-085467\"><em>Poems on Miscellaneous Subjects<\/em> <\/a>(1857)<\/p>\n<p><a href=\"https:\/\/books.google.com\/books?id=JM_pAAAAMAAJ&amp;newbks=0&amp;pg=PA2#v=onepage&amp;q&amp;f=false\"><em>Sketches of Southern Life<\/em> <\/a>(1872)<\/p>\n<p class=\"et_pb_toggle_title\"><a href=\"https:\/\/archive.org\/details\/idyllsofbible00harp\/page\/n5\/mode\/2up\"><em>Idylls of the Bible<\/em><\/a> (1901)<\/p>\n<p><a href=\"https:\/\/archive.org\/details\/poemsharper00harprich\/mode\/2up\"><em>Poems<\/em><\/a> (1896)<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Short Stories and Essays<\/h3>\n<p><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.32106005410862&amp;seq=311\">&#8220;The Two Offers&#8221;<\/a> (1859)<\/p>\n<p><a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=uc1.32106005410862&amp;seq=176\">&#8220;Our Greatest Want&#8221;<\/a> (1859)<\/p>\n<p>&#8220;The Triumph of Freedom\u2014A Dream&#8221; (1860)<\/p>\n<p class=\"et_pb_toggle_title\">&#8220;Fancy Etchings&#8221; (1873)<\/p>\n<p class=\"et_pb_toggle_title\"><a href=\"https:\/\/www.google.com\/books\/edition\/Moses_a_Story_of_the_Nile\/k91DAAAAYAAJ?hl=en&amp;gbpv=1&amp;pg=PA44&amp;printsec=frontcover\">&#8220;The Mission of the Flowers&#8221;<\/a><\/p>\n<p><a href=\"https:\/\/www.google.com\/books\/edition\/Sketches_of_Southern_Life\/JM_pAAAAMAAJ?hl=en&amp;gbpv=1&amp;pg=PA33&amp;printsec=frontcover\">&#8220;Shalmanezer, Prince of Cosman&#8221;<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Speeches&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Select Speeches<\/h3>\n<p><a href=\"https:\/\/www.newspapers.com\/article\/the-liberator\/131533928\/\">Address at the Celebration of Freedom in Maryland at Cooper Institute in New York (November 28, 1864)<\/a><\/p>\n<p><a href=\"https:\/\/oldsite.coloredconventions.org\/harper\/wp-content\/uploads\/sites\/47\/2024\/09\/The_Liberator_1865_08_11_Page_4.jpg\">Address at the Anti-Slavery Society&#8217;s Celebration of West India Emancipation (August 1, 1865)<\/a><\/p>\n<p><a href=\"https:\/\/oldsite.coloredconventions.org\/harper\/wp-content\/uploads\/sites\/47\/2024\/09\/FEWH-Address-1867.png\">Address at the National Hall, Philadelphia, PA (February 1, 1867)<\/a><\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Credits&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>References<\/h3>\n<p>[1] Frances Smith Foster, <em>A Brighter Coming Day: A Frances Ellen Watkins Harper<\/em> Reader (New York: The Feminist Press, 1990), xv.<\/p>\n<p>[2] Melba Joyce Boyd, <em>Discarded Legacy: Politics and Poetics in the Life of Frances E. W. Harper, 1825-1911<\/em> (Detroit: Wayne State University, 1994).<\/p>\n<h3>Credits<\/h3>\n<p>Written and compiled by Samantha de Vera<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u200bHARPER AT 200 Literary Works Frances Ellen Watkins Harper&#8217;s corpus encompasses a diverse range of literary forms, reflecting her multifaceted career as a writer, poet, and activist in nineteenth-century America. Her body of work includes several volumes of poetry, starting with Forest Leaves (circa 1849), as well as her groundbreaking novel Iola Leroy. Throughout her [&hellip;]<\/p>\n","protected":false},"author":71,"featured_media":6189,"parent":4317,"menu_order":72,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_relevanssi_hide_post":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"class_list":["post-4408","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Literary Works - Frances Ellen Watkins Harper at 200<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oldsite.coloredconventions.org\/harper\/writings\/novels\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Literary Works - Frances Ellen Watkins Harper at 200\" \/>\n<meta property=\"og:description\" content=\"\u200bHARPER AT 200 Literary Works Frances Ellen Watkins Harper&#039;s corpus encompasses a diverse range of literary forms, reflecting her multifaceted career as a writer, poet, and activist in nineteenth-century America. 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